Here is a stretch of leafy road between Wendover and Ellesborough, at the north-eastern edge of the Chilterns, what you might call deep Buckinghamshire. And here on the boundary wall of one of the grand houses along this stretch are a pair of t-shirts, or rather t-shirts converted to banners.
Anne Greene’s luck only began to turn after she was hanged. A maid-servant in the household of Sir Thomas Read in the Oxfordshire village of Duns Tew, her misfortunes began when Sir Thomas’s grandson Jeffrey took a fancy to her.
A coda to my recent visit to Wayland’s Smithy. The standing stones have multiple circular holes drilled in them. I don’t what the purpose of these holes was, or whether they were part of the original design or added later. But I noticed that some ears of barley (or was it wheat? Barley, i think) had been placed in one of them.
I’ve visited a few Neolithic sites in Britain but I don’t think I’ve ever been to one as serene and captivating as Wayland’s Smithy. These ancient places are always awe-inspiring, but the atmosphere of pagan ceremony can often be discomforting in its distant inscrutability, not to say occasionally terrifying in its imagined strangeness.
It seems a curious subject to choose for a public work of art, this mural near the centre of Cardiff. And, as with any state-funded art commission, there must have a few bureaucratic hurdles to jump before final approval was granted. When the artist made his pitch, did anyone on the committee laugh or splutter or quibble, or did they nod sagely, as befits men and women of the cultural establishment?
I always have mixed feelings before re-reading a book that had a profound effect in my youth (and isn’t that really the age when the most profound effects of books occur?) There is the hope that the original, thrilling magic might still be there, waiting to be unleashed once more. And there is the trepidation that the experience will be a disappointment, or a bore, or even an indictment of one’s youthful naiveté.